1st Movement - Open Passage 2nd Movement - Restoration 3rd Movement - Tail Wind

1st Mvt

Instrumentation: Flute 12+picc Oboe 12 Cl 12 Bsn 12 Hrn1234 Trp 123 Trb 123 Tuba Percussion Strings

Instrumentation: Flute 1. 2. Oboe - Please check with the conductor about doubling the parts Clarinet Bb 1. 2. Bassoon - Please check with the conductor about doubling the parts Horn in F 1. 2. Trumpet 1. 2. Trombone 1. 2. TImpani Percussion Harp Violin 1. 2. Viola Cello Double Bass Every part is in this PDF - please find your part SAMPLE MIDI FILE: Mov.1 SAMPLE MIDI FILE: Mov.2  SAMPLE MIDI FILE: Mov.3  Below are the performance notes shared in the soloist’s part. First, however, are two notes the conductor may wish to share with the entire orchestra (or at least the strings): String Harmonics: Numerous ways of notating harmonics exist; in this work, the desired harmonic pitch is indicated as a regular-size note with the usual “harmonic sign” above it. For common harmonics, this is the only indication given. For those which the players may encounter less often, the fingering is indicated below the desired harmonic note (at least upon first reference in the part) by a pair of parenthetical cue-size notes. The solid notehead indicates the string upon which the harmonic is found; the open, diamond-shaped notehead indicates which note should be lightly touched to achieve the desired harmonic. Cross Rhythms in Time: While the time signature is most commonly a compound triple meter, it is of course at times an imperfect, irregular meter, such as 2+2+2+3. Such is the case at times in this work. Were this pattern to occur homorhythmically, a simple time signature would suffice just fine. However, in mvt. 3, there are cross rhythms in various string parts. The top of the time signature is therefore indicated as 2+2+2+3, to call attention to these cross-rhythms. When they occur in m. 11 (viola), m. 26 (viola and second violin) and m. 69 (all shoulder-held strings), the bowings should not be modified to fit the time signature, and the conducting should stay in four to accentuate the 2+2+2+3 subdivision. SOLOIST NOTES Mallets: Throughout the work, indications are given to use specific mallets manufactured by Malmark, who commissioned the work. These are simply suggestions to help indicate the tonal color desired. Performers should feel free to substitute mallets at their discretion, taking into account the acoustics of the performance venue, balance of orchestral forces, any amplification used, etc. Consultation with the conductor is advised. Damping: As with mallets, it is difficult to predict the amount of decay which will occur in playing handbell keyboards in various venues and with different mallets. To attempt to do so would be an exercise in micromanagement (and likely with little reward, due to the vast variables). However, in some cases, the traditional “damp sign” is used. Its interpretation should be as follows: PLEASE FIND YOUR PART AND PRINT THE NECESSARY PARTS ONLY

These are string parts for L'Arlésienne with bowing markings provided by the principals. Violin 1 Violin 2 Viola Cello

Instrumentation Picc Fl 1,2 Ob. Cl1,2 Bass Cl Bsn1,2 Hr 1,2,3,4 Trp 1,2,3, Tbn 1,2,3 Tuba Piano/Celeste Mallets Perc 1,2 Perc 1,2,3, Timpani Vln 1 Vln 2 Vio Cello Bass STRINGS WINDS Keyboard / Percussions

These recordings are copyright-protected!! Do not download or distribute in any way. Due to copyright issues, we cannot post Barber Violin Concerto and Tender Land. If you would like to listen to the recordings of those two, don't hesitate to get in touch with info@ccorchestra.org.

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Instrumentation: 2 Flutes (2nd doubling piccolo) 2Oboes 2 Clarinets Bb 2 Horns in F (Optional parts for Horn 3rd and 4th) 2 Bsns 2 Trumpets in Bb 2 Trombones 1 Bass Trombone (or Tuba optional) Harp (or Piano) Celesta (or Piano) Timpani Percussion (two Players) Strings Flute part + 2nd Flute/Piccolo

Hi everyone here is the link to videos from Romantic Echoes Concert • Coriolan Overture, Op. 62 • Konzertstück für Flöte und Orchester - Heinrich Hofmann (feat. flutist Tetsuya Kobayashi) • Beethoven 3 mvt1 • Excerpt from Beethoven 3 mvt2

Instrumentation : Strings, flute, oboe, clarinet, Bassoon, 2 Horns, trumpet, timpani triangle and side drum,  Harp or piano.

Instrumentation: Pic, 2 Flt 2 Ob 2 Clar Bb Eb Clar Bass Clar 2 Bsn Contra Bsn 4 Horns in F 2 Trpt in Bb 3 Tbn Tuba Perc Harp 4 Strings.

Enjoy!

Cello 4th page was missing Cello 4th page was missing can be found here (it says cello5 but this is the fourth page)